Viktor Ullmann
;)
Viktor Ullmann (1898-1944) was a composer of German-Jewish heritage who
spent his life in the Czech and German cultural spheres. He studied
composition with Arnold Schoenberg and developed an interesting style
that brings together influences from the Second Viennese School,
Hindemith, and satirical cabaret, among others. Under the tutelage of
Alexander Zemlinsky, Ullmann became an accomplished conductor with what
is now the Prague State Opera (he was among the first to conduct Ernst
Krenek’s opera Jonny Spielt auf). He was also a music critic and at one time managed a bookstore dedicated to the philosophy of anthroposophy.
;)
Ullmann was imprisoned in the Nazi camp of Theresienstadt (Terezin,
near Prague) in 1942, where he was assigned to manage cultural life
rather than the manual labor many inmates had to do. In October 1944 he
was transported to Auschwitz with his family and many colleagues, where
he went to the gas chambers almost immediately.
The two years in Theresienstadt were, ironically, the most productive time of Ullmann’s compositional career. In addition, Ullmann’s Theresienstadt manuscripts were saved while most of his earlier works are lost. So, despite his many accomplishments before 1942, Viktor Ullmann runs the risk of having his personal tragedy overshadow his artistry.
Kaiser von Atlantis Resources
Complete Libretto (auf Deutsch - German only)
Reviews and Observations
;)
In “Does the Holocaust Make the Music Sound Sweeter?” Bernard
Holland suggests that Ullmann’s tragic life story lends undeserved
credibility to his music. “For all the fluency and charm, there is no
striking voice. There are no inspiring surprises, but at least no
unpleasant ones, either. Ullmann comes to us from these recordings as a
skilled journeyman, a composer with a lovely gift for songfulness and
sure musical tools. He died in his mid-40’s. Would a longer life have
allowed him to be great? Who can say?” Joseph Kalichstein responds.
Klezmer Shack reviews James Conlon’s 2005 series of Ullmann performances at Ravinia 2005.
Review of the Shirai recording of Ullmann lieder , from the Canadian Association of Teachers of German.
Kenneth Woods blogs about Ullmann and the role of “relevance” and reviews Ullmann’s third string quartet.
Lyrod Simool blogs about the integrity shown in Ullmann’s one-act Theresienstadt opera The King of Atlantis.
More Viktor Ullman Web Sites
Dessa has a suite of paintings inspired by Ullmann’s 7th piano sonata. Unfortunately it’s in flash so I cannot link directly to those works.
A fan site that has gathered photos, writings and other information.
Biography and a comprehensive list of works, both lost and surviving.
