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Printable Syllabus: PDF format | RTF format

Recommended

These materials are optional, and if you purchase through these links it will help support this website.

For recommended recordings, including some of the materials played in class, check the syllabus under each week.

  • Guide to Chamber Music
    Guide to Chamber Music
    by Melvin Berger
  • 19th-Century Chamber Music (Routledge Studies in Musical Genres)
    19th-Century Chamber Music (Routledge Studies in Musical Genres)
    by Stephen Hefling
  • 20th Century Chamber Music (Routledge Studies in Musical Genre)
    20th Century Chamber Music (Routledge Studies in Musical Genre)
    by James McCalla
  • Adams to Zemlinsky, A Friendly Guide to Chamber Music
    Adams to Zemlinsky, A Friendly Guide to Chamber Music
    by Lucy Miller
  • Beyond the Notes : Journeys with Chamber Music
    Beyond the Notes : Journeys with Chamber Music
    by Susan Tomes
  • Brahms and His World (The Bard Music Festival)
    Brahms and His World (The Bard Music Festival)
    Princeton University Press
  • The Romantic Generation (The Charles Eliot Norton Lectures)
    The Romantic Generation (The Charles Eliot Norton Lectures)
    by Charles Rosen
  • The Classical Style: Haydn, Mozart, Beethoven
    The Classical Style: Haydn, Mozart, Beethoven
    by Charles Rosen

Chamber Music Course

6/9/2009 - 7/28/2009, Tuesday 10:00 AM - 12:30 PM

This course celebrates chamber music other than the oft-studied string quartet and solo keyboard repertoire. We will examine the dynamics of various groupings and the evolution of form from the classical era to the explosion of new possibilities in the post-romantic era. Works include (but are not limited to): Haydn trios, Mozart string quintets, Beethoven trios (including the “Archduke”), Schubert trios, Brahms quintets and sextets, and a look at the duo sonata (keyboard and solo instrument) as a genre.

Sunday
Jun072009

Week 1: Mozart and Haydn

Mozart violin sonatas featuring the E Minor sonata and A Major Sonata K. 526.

Haydn piano trios in A flat, F Shart Minor and E Major (28th) featured.

Monday
Jun082009

Week 2: Mozart and Beethoven

  • Mozart’s A Musical Joke
  • Mozart string quintets
  • Beethoven violin sonatas featuring No. 10 in G Major.
Monday
Jun082009

Week 3 - Beethoven and Schubert

Beethoven and Schubert, the piano trios.

Monday
Jun082009

Week 4: Schubert and Mendelssohn

Schubert String Quintet; Mendelssohn chamber works.

Monday
Jun082009

Week 5: Schumann, Brahms and Dvorak

Schumann Piano Quintet; Brahms Piano Quintet; Dvorak Piano Quintet

Monday
Jun082009

Week 6: Janacek, Brahms, Franck, Faure

The reemergence of chamber styles ensuant to the first romantic generation: Janacek, late Brahms, Franck Piano Quintet, Faure’s chamber works.

Monday
Jun082009

Week 7: The Cello

Solo cello sonatas and suites by Kodaly and Britten; Debussy Cello Sonata, Shostakovich Second Trio and Piano Quintet

Monday
Jun082009

Week 8: Post-Romantic and Postwar

Primacy of chamber music in post-romantic and avant-garde styles, economic and social evolution of public music. Webern, Boulez and the European avant-garde; Crumb, Sessions, Carter and postwar America